Do Funk

Don’t Look Any Further .
Review:
Don’t Look Any Further is the first released solo album from Dennis Jonathan Edwards the sometime enticement Pb vocalist Edwards first made . solo recording in 1977, but had nothing to show for it but an unreleased album He returned stronger than ever, but then again left in the eye of the Roger Huntington Sessions for Back to rudiments For Don’t Look Any Further, Jonathan Edwards teamed with producer Dennis Lambert, who was behind the boards for 1983′s enticement try Surface Thrills. This try skillfully merged the loveman persona reminiscent of teddy bear Pendergrass with the confident early-’80s Al Jarreau-style dada With Edwards in great voice and spirits, Don’t Look Any Further is . thoroughly enjoyable listen. The big hit here, the reggae-tinged rubric track, was supposed to be a duet with Chaka khan Siedah Garrett, who did the demo, appears instead and display great chemistry with Edwards. The slow-burning “ Aphrodisiac” soon has Jonathan Edwards screaming the paint off the walls. What’s remarkable about Don’t Look Any Further is how is continues to succeed in light of potentially album-stalling premises and sometime so-so production The breakdancing-ready style of “Shake Hands ” case Edwards’ bluster quite well The album’s biggest surprise, the Henry Sweet ballad “Just Like You” has Jonathan Edwards singing with surprising emotion Don’t Look Any Further nowadays Jonathan Edwards as a potent solo act and display the depth and nicety inherent in his best work .
Tracks:
01. I´M Up For You
02. Don´t Look Any Further featuring Siedah Garrett
03. Aphrodisiac
04. Can´t scrap It
05. Another Place In Time
06. Shake Hands
07. I Thought I Could handle It
08. Just Like You
09. Let´s Go Up

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All toy break .
Review:
80s harmony soul by . Henry Sweet little trey of singer – an overlooked mellow gem that really clasp onto all the best elements you’d hear in a record like this from the 70s! Michael Zager produced and arranged – and he’s surprisingly great here – really keeping things cool and laidback, so that even when some of the groove get a bit more upbeat, they still have a great link to the gentler Book of Numbers on the record – which are especially wonderful! The trey are clearly not trying too hard for any hit – and that quality really make the record great – pretty natural and intimate on most numbers, with cuts that include “All toy Break”, “When The bell Rings”, “Living On The threshold Of Leaving”, and “Don’t You Know”..
Tracks:
01. All Toys Break
02. Don’t You Know
03. Living On The threshold Of Leaving
04. Lord
05. When The bell rings
06. I Want To Take You Higher
07. I’ve Never Been In Love Before

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Gang War .Prince Charles.
Joined by his City Beat Bandand playing a unique current of air synthesiser called the Lyricon, Charles “Prince Charles” horse parsley released a handful of state of nature synth-funk album — 1981′s ring War, 1982′s rock Killers, and 1984′s combat zone — that achieved more acknowledgement in the UK than in the U.S., even though their best singles were contemporaneous with that of the gap Band, rick James, grandmaster Flash, and the Egyptian Lover. horse parsley used his experience as a multi-instrumentalist and all-around studio hound to become active agent as a mixer and technologist He went from working on album by Kashif and Sarah Dash in the ’80s to X-Clan and Jodeci in the early ’90s, but he really hit his pace once he struck up an association with the bad Boy label. Nearly every one of the label’s major releases, including The Virgin J. Blige’s My Life, Notorious B.I.G.’s ready to Die, and whiff Daddy’s No Way Out, characteristic his handicraft He also worked with the the like of Destiny’s Child, brand name Houston, Angie Stone, and Alicia Keys. As of 2007, he was remaining busy as an applied scientist while holding down an associate prof slot at Berklee College of Music and a teaching gig at NYU’s Baron Clive of Plassey Davys Department of Recorded Music..
Credits.
Charles “Prince Charles” horse parsley Synthesizer, Flute, Percussion, Arranger, Vocals, Rhythm, Producer, vocal music Arrangement, Mixing, beat Arrangements
John Barbour Art Direction
Greg Barrett Drums
Tom Carr Assistant Engineer
Kim Davys Bass
A.W. hawkshaw Engineer
Tony Dudley Guitar
Tim C. D. Gibson Guitar, guitar
Phil viridity Engineer
Thomas H Vocals
Jimmy Johnson Conga
Michael Johnson Drums, Producer
Steve Mary Harris Jones Bass
C.L. Emmett Kelly Percussion, Arranger, whistling
Robert Matichak Digital Remastering
Billy Douglas Moore Guitar, Arranger, guitar
Billy Pringle Vocals
Tony Pringle Drums
Joe Ramos Vocals
R.J. Reardon Engineer, Mixing
Bob genus Rosa Engineer, Mixing
Tony rosebush Producer, executive Producer, Artwork, Design, Mixing
D.C. Rothgaber Engineer, Mixing
Maurice Ringo Starr Bass, Guitar, Producer
Wes Hiram King Williams Photography
Ruth Winley Vocals
Tracks:
01. Rise
02. move Your Feet
03. You Are My Love
04. Passion
05. In The Streets
06. Tight Jeans
07. ring War
08. Fresh Game
09. heavy duty Booty
10. shingle It
11. Don’t Go Away

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Bow riot
Performing artist, guitarist, vocalist, and songwriter, early 1950s-1996; moved with family to Los Angeles, calcium 1950; played in West Coast nothingness and blues bands, 1950-53; signed to Federal label, 1953; released experimental instrumental bingle “Space Jam,” 1953; released bingle “Gangster of Love,” later covered by Steve Miller, 1957; toured with Little Richard, late 1950s; toured Britain with vocalist Larry Williams, mid-1960s; signed with Fantasy label, 1972; recorded with Frank Zappa on Zappa’s One size Fits All LP, 1975; signed with DJM label, 1976; series of successful funk albums, 1976-80; signed with Bellmark label, 1994.
Two other facet of Watson’s style seemed to point the way to the incipient blame movement: lengthy spoken interlude in such recording as the 1978 “Gangster of Love” remake, and a group of song that dealt frankly with poverty. Watson’s music was indeed sampled in the 1990s by such star as ice Cube and snoop doggie Dogg. But Watson’s activity were curtailed in the 1980s, although a series of summertime appearances in France led to his becoming known there as the “Godfather of Funk.” “I got caught up with the wrong people doing the wrong things,” he was quoted as saying by the New York Times.
The 1990s brought a creative resurgence for Watson with the release of the album bowknot riot in 1994. which was nominated for a Grammy in 1995. In March of 1996 he was honored with a pioneer awarding from the rhythm & blues Foundation, and his playing calling appeared fully reinvigorated. However, he was stricken with a heart attack while playing at a blues nine near capital of Japanese Archipelago He died in Yokohama, Japan on May 17, 1996.
Tracks:
01. greyback G. Is Back
02. bowknot Wow
03. Never to Late
04. My Funk
05. It issue 2
06. Time Change
07. Doing wrong Woman
08. What’s up With You
09. hook Me Up
10. I Don’t Think So
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Rick Sir John Ross and Jay-Z flicker more Illumaniti argumentation with their Inkredibles-produced coaction “Free Mason” from Teflon Don, but John John Jay is quick to distance himself from the secret society, rapping, “I said I was amazing, not that I’m a mason” and “I’m on my third six, but a the Tempter I’m not.”

The Bawse tagged along Jay-Z’s Blueprint 3 tour and got him to record his poetry while on the route “Me and John Jay on the same record, of course we lyrically murdered it,” he told Rap-Up.com, “But the content and certain things we both computer address is gonna make this record one to remember for many years to come.”

Maxx Traxx
Maxx Traxx is:
Stevie Robinson: atomic number 82 Vocals, Guitar
Terry Marshall: Keyboards, vocals
Laurence Dawson: Keyboards, vocals
Lee Gatlin: bass vocals
Richie Davis: Guitar
Malcom Banks: Drums, vocals
Marvin Sparks: Percussion
‘Ear-catcher’ on the atomic number 48 is ‘Don’t touch it! , a sublime boogie-woogie line and without a incertitude the best path on the CD, together with ‘Let’s have a party’. The residuum of the atomic number 48 is filled with some Nice ballads and some up-tempo songs.
Tracks:
01. Don’t touching It!
02. You & I
03. Tell Me
04. Time Has Come
05. Let’s Have A Party
06. Living Without You
07. To Be With You
08. Let Me Love You
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Dancin’ Tight: The Best of
Galaxy comprised of Phil Fearon. lead and backup vocals. rhodes, grand piano, synthesisers, bass, guitars, percussion and drums. Dorothy Galdes, vocals. Julie Gore, vocals. Lenny Fearon, percussion, trumpet and vocals. Claudio Galdes, saxophones, percussion and flute.
Galaxy were the musical theater inspiration of North Londoner, record producer, Phil Fearon. In 1981, he was part of the production set up for the bubbly Records group, Proton, who released the vocal ‘Pay Up’ that twelvemonth With Galaxy, Phil was the featured vocalizer on all their Great Britain hits, and was . band member of the Great Britain Brit psyche ensemble Kandidate . who charted with their vocal ‘Can’t Say Bye’ on Polydor record 1982 . galaxy came to the attending of the radiocommunication capital of the United Kingdom based deejay Robbie Vincent, who promoted their vocal ‘Dancing Tight’ heavily on his Saturday psyche Show in 1983. ‘Dancing Tight’ reached the top 5 that year, followed on by ‘Wait Until tonight My Love’ , ‘Fantasy Real’ , ‘What Do I Do’ , ‘Everybody’s Laughing’ , ‘You Don’t Need A Reason’ , and ‘This Kind Of Love’ , all for the ensign record imprint.
The record album ‘This Kind Of Love’ featured the group’s concealment version of the Special Delivery vocal as the featured title track. The group also recorded a version of the 1977 Tony Etoria song, ‘I Can Prove It’ in 1986. Their vocal ‘Everybody’s laughing’ featured remixes involving the creative person Uncle Tom Browne and Randy Muller . The group released a single, a cover version of ‘Ain’t Nothing but a Houseparty’ later in the decennary In 1987 Fearon founded and managed a record label called production House record with Laurie Jago & raj Malkani, taking a back seat performance wise He then continued producing several Great Britain based artists.
Tracks:
01. What Do I do
02. dancing Tight
03. This Kind of Love
04. Head Over Heels
05. You Don’t Need a Reason
06. hold Until tonight My Love
07. If You’re Gonna Fall In Love
08. Everybody’s Laughing
09. I Can Prove It
10. All I Give To You
11. fantasy Real
12. Ain’t Nothing But A House Party
13. Nothing is Too Good For You
14. Anything You Want
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Every title-holder need an Auto-Tune remix to accompany his victory vocal Lakers forward Bokkos Artest draft Polow district attorney Don and Auto-Tune king T-Pain to remix his bingle “Champion,” and the result is not exactly a slam stuff shot When he’s not on the court, Bokkos told Rap-Up.com that he’s been in the research lab with Dr. Dre.

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As his latest record album Raymond V Raymond approach platinum status, Usher keep the impulse going with a subsequence to the labor called Versus. The new set, due Aug 24, contains eight new songs, including collaborations with Bun bacillus and Pitbull, who guest on the atomic number 82 single “DJ Got Us Fallin’ in Love,” a dance record produced by liquid ecstasy Martin. The followup single, “Hot Tottie” produced by Polow district attorney Don, will be delivered to radio on Aug 9.

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Rick John John Ross lives for the moment on the Latin-flavored “Live Fast, die Young,” his eagerly-awaited collaboration with Kanye West from Teflon Don . The Bawse jactitation about his grandiose lifestyle, while Martin Louis the male monarch Jnr get his fashionable swag back.

“I feel like it’s one of the best record I’ve been a part of in my career,” John Ross told Rap-Up.com. “Kanye produced it and we collaborated on IT It’s a phenomenal record I’m just extremely excited.”

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