• scissors
    July 26th, 2009CarolUncategorized

    1. FREE
    I appreciate the fact that Freeway avoided including a rap album intro, opting to start Philadelphia Freeway off with an actual song. Sadly, I was pretty bored with this option. Not that an intro would have ever been preferable, mind you.

    2. WHAT WE DO (FEAT JAY-Z & BEANIE SIGEL)
    Beardy completely dominates this Roc-A-Fella posse cut, outshining both his boss and his contemporary, as it should be, since it is a Freeway song, after all. Shawn's reference to Freeway's beard also made me laugh out loud. This is actually the best Roc-A-Fella posse cut to come out of the camp, and its accompanying The Wire-inspired clip (with a few of the actual actors from the show) only adds to the proceedings. I'd bet that Memphis Bleek cries himself to sleep every night, wondering why Shawn didn't let him jump on (read: ruin) this track.

    3. ALL MY LIFE (FEAT NATE DOGG)
    Overall, I liked this track, but some of Beardy's lines are funny for all of the wrong reasons. Otherwise, not bad.

    4. FLIPSIDE (FEAT PEEDI CRAKK)
    I first heard this Just Blaze banger while playing Def Jam: Fight For NY. The beat pretty much rocks, and it also proves that Justin creates better beats for everyone who isn't named Jay-Z. That said, the clean edit is the one which appears in the game, and this song is decidedly not clean. Then again, most of the songs I review are decidedly not clean, so there you go.

    5. ON MY OWN (FEAT NELLY)
    I'm not a fan of Nelly as a rapper. He has a couple of okay songs (both of which are produced by The Neptunes), and his videos contain some decent imagery much of the time (I can think of one scene in particular in the clip for some recent Nelly track featuring Ciara and Jermaine Dupri), but for the most part, I couldn't care less. Thankfully, he only appears on the hook, doing his sing-songy shimmy-shimmy-cocoa-puff thing, and the song itself is not ruined because of it. This actually isn't bad.

    6. WE GET AROUND (FEAT SNOOP DOGG)
    This isn't bad, either, although a collaboration between Free and Snoop doesn't exactly feel like the natural order of things. The hook is all sorts of awful, though: I suppose some of you may consider that a small price to pay to hear Calvin Broadus sound entirely comfortable over a Just Blaze beat, but that's on you two.

    7. DON'T CROSS THE LINE (FEAT FAITH EVANS)
    Meh.

    8. LIFE (FEAT BEANIE SIGEL)
    I just listened to this track, and I can't remember a thing about it, save for the fact that Sigel does, in fact, make an appearance.

    9. FULL EFFECT (FEAT YOUNG GUNZ)
    I really liked this track. Justin's beat goes a long way toward making the Roc-A-Fella seat fillers sound good, and Beardy comes across as a thoroughly engaging emcee. Which is all you can ask for, really.

    10. TURN OUT THE LIGHT (FREEWEST) (FEAT KANYE WEST)
    Kanye West's beat sounds similar to the stuff that he gave to every other Roc-A-Fella artist that wasn't named Jay-Z. Which is to say, it's alright, but it's not real.

    11. VICTIM OF THE GHETTO (FEAT RELL)
    Decent, but nothing special.

    12. YOU DON'T KNOW (IN THE GHETTO) (FEAT OMILLIO SPARKS)
    Two songs in a row with the word “ghetto” in the title? That's usually not a good sign, and Beardy doesn't say or do anything to persuade me otherwise.

    13. ALRIGHT (FEAT ALLEN ANTHONY)
    Justin Blaze creates a beat that sounds like one of those 1980s songs I tried to avoid (because I'm a New Wave guy, through and through), but, honestly, I liked this shit a lot. Its sound brings back a pleasant form of nostalgia, and both Free's lyrics and Allen Anthony's singing mesh well with the music. Good show.

    14. HEAR THE SONG
    There wasn't anything objectionable about this song, but the only comment that I can make without re-listening and re-forgetting the song itself is this: what is with Freeway's obsession with selecting Kanye West instrumentals that sound like leftovers from The Blueprint? Free sounds great over the harder stuff, so filling Philadelphia Freeway with mostly soulful beats has officially mystified me.

    The following tracks are considered Philadelphia Freeway's bonus songs.

    15. YOU GOT ME (FEAT MARIAH CAREY & JAY-Z)
    Raise your hand if you feel that Mariah Carey Mrs. Nick Cannon has been irrelevant since that “Heartbreaker” song she did with Hova. Okay, put them down: you're wrong, anyway. Mariah had a pretty good minor comeback with both versions of “We Belong Together”. Oh, this song? It sucks balls. Why do you ask?

    16. LINE 'EM UP (FEAT YOUNG CHRIS)
    Wasn't bad at all, until Young Inexperienced Chris spit his guest verse, which brought my IQ down by a couple hundred points. Now I'm not even sure I can dress myself, let alone finish a rev

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  • scissors
    July 15th, 2009CarolUncategorized

    This Mixtape/Album contains all original material Produced By J.U.S.T.I.C.E Leauge and The Trackburnerz... This drops in about a month and is about to be a problem! I will post a few leaked traks here shortly... McLuvin!!!!!

    Official Tracklisting

    1. Push
    2. Fuck Off
    3. R.A.P.P.E.R. (Produced by Trackburnerz)
    4. Blood
    5. Bring Justice
    6. Who I Am
    7. Rain (Produced by: J.U.S.T.I.C.E. LEAGUE & SONNY CRACK)
    8. Shoot Wack Rappers
    9. Take Notice
    10. Boom
    11. What You Want (Produced by Trackburnerz)
    12. Love Song (Produced by Laws)
    13. Electric Eel
    14. Searching featuring Young Chris, Wale, & Bun B
    15. Boys to Men (Produced by: J.U.S.T.I.C.E. LEAGUE)
    16. Old Man (Produced by Trackburnerz)
    17. Free (Produced by: J.U.S.T.I.C.E. LEAGUE)
    18. Your Future Favorite Rapper (Produced by: J.U.S.T.I.C.E. LEAGUE)
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